I just Google’d ‘Nostalghia+the+next+big+thing’ and got nothing.
and I can’t tell you how happy that makes me.
because very, very soon, someone smart is going to realize they’re doing something amazing – and I’ll be the lucky kid who penned that title first.
trust me, though, I’m not the first person to say it – just write it. everyone who hears them and then hears that they’re not already snapped up by a major label says the same thing… they’re going to be big. very, very big.
a few weeks ago, I was in Los Angeles visiting my good friend and writing mentor J.W., and even before we could open a beer to toast his recent success as a screenwriter, he made me sit down in a big comfortable chair.
‘listen to this’ he said, barely whispering the ‘this’, as if he knew something that I didn’t.
he did.
after seeing my reaction, he called them – Ciscandra and Roy – over for drinks and from the moment they walked in, it was easy to see that they were put on this earth to make something amazing.
I begged them for an interview and they accepted – whether or not they’ll approve of my playing the first 5 tracks off of their debut ‘I Am Robot Hear Me Glitch‘ album is a different story. but I couldn’t pick one and I couldn’t pick a favorite.
I apologize… but give me a few minutes and you’ll understand.
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Nostalghia – ‘Golden Horse’
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Ciscandra, describe you and Roy:
Both of us are hacks. Like, real and in the flesh, hacks. Except that Roy kicks major ass on drums and percussion. I wasn’t really allowed to pursue music the way I wanted to as a kid. Persian families, though close-nit and lovely in their own way, can be really close minded. Asking them to buy you a guitar, is like telling them the hour of your death. My Uncle didn’t make it easy for me. He was a musician, had drug problems and all that jazz, so my mother thought it was the devil. I saved up lunch money, and bought my first guitar. Then everyone just started dumping their sad instruments on me. Both Roy and I like picking up random shit, and playing the hell out of it. The other night we were jamming with the ropes of a hammock. It was cool.
Nostalghia – ‘MechANICal’
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how about this track ‘MechANICal?’ [above] I heard that Roy made you play it by use of an interesting coaching method.
Well, it was mainly about trespassing; trespassing property. There’s nothing like stepping over caution tape. It’s like Walt Disney creating this wonderful Disneyland of adventure, and then saying ’Sorry, not for you!’ I mean, the campus wasn’t a Disneyland, but in a sense, anything hidden is worth learning more about. I was curious, and so I did it, and ended up with a song. One of the first songs I’ve ever written. When I got on campus I took off all the caution tape and made this giant BobDylan/Einstein-esque face with it on the grass, chalked up the sidewalk with the question why. (And really, why?!? I mean, if you really want people staying off campus, tape isn’t the best barrier. Get magical evil dogs or something). And then I ran in the fountain. This is where Mechanical was born. Sitting drenched in this fountain, that I still swear had eels in it. I suppose through rebellion, I felt more in touch with something bigger than myself – freedumb. My mother told me the song was awful, and it almost never saw the light of day. Until Roy put a gun to my head and forced me to play it (true story).

Nostalghia – ‘You and I’
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so… that’s the occasional recording method. how about the writing process?
Oh god. I don’t know if I’d call it a process. More like a psychosis. I write songs in ten minutes. Then I walk up to strangers and ask if they can screw me up a bit more before I hit the studio, just a little jab to the brain. No. But I do write in ten minutes, and insist on recording the basics of it right away. Roy loves recording to a click track. I want to kill them. So for at least five minutes I’m telling him how much I hate click tracks, and he’s saying, ‘Well, we don’t have to use it, it’ll just make it more difficult if we don’t’ and I’m swaying back and forth, until eventually I’m set up to a click track. One day, I’d like to record in the middle of a forest. Or on a long line, that lets me run through the sand, and really feel alive. Right now, we record in Roy’s bathroom, not as exotic, but he does have a nice floral spray.
Nostalghia – ‘I Am Robot’
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it sounds like this – making music – is something you both knew that you were supposed to do:
Roy always wanted this. He spewed from Pennsatucky and straight into the jaws of music. I feel very lucky to have met my musical soul mate at such a young age. I sort of, always innately knew, that music was it for me, I just didn’t believe I was any good. I didn’t know I could sing until about three years ago. I was always a writer, pen to paper all the time. I tricked my parents into buying this karaoke machine (if I was singing other’s songs it was deemed safe), and used it as a tool for hearing my voice back. I slaved for hours in my room, trying to figure out if I had vibe. My mother would walk in and I’d be playing concerts for the world. It was embarrassing. But that silver piece of junk really helped me solidify what music was to me. It boiled in my blood, and when playing, I was a goner, transcendent. It really helped to meet Roy, he was one of the first to truly believe in what was pouring out of me, and now he helps make my spewage into something pretty.
Nostalghia – ‘Love Will Make Us Insane’
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[web exclusive! join the band's Facebook page and get a free download of this track]
and lastly, seeing how you have a show coming up – your range is something that would make even Jeff Buckley blush, but what about the live gigs? I saw a video of you on YouTube sitting down [below] seemingly bleeding all over the floor with emotion, but then I hear a new track like the gypsy-influenced ‘Love Will Make Me Insane’ [above]… what’s the best mindset/physical expectation of you all performing in the flesh?
Live shows are my favorite, I get to be however I feel, and my capsule doesn’t matter. I am bigger than myself on stage, all my blood rushes to the white of my skin, to my palms, I am you, and the man next to you, and the woman behind you, I am raw, and real, and what everyone feels like doing but only some do. I am dust. Nothing. Just blood, and guts, and truth on a fancy clubs floor. And I’m fucking lucky to have a beautiful band (even strings!) to withhold me. I play a lot of strange instruments, and often I’m pulled to the ground. Not because I’m shy, but because I like how it vibrates when everyone plays, like taking off in a spaceship, and I’m allowed to be alien. Roy is a madman on stage. He plays a bunch of weird shit, and makes it sound incredibly cohesive. He lets me be, and lets me bleed, and lets me breathe, and lets me move, and lets me do whatever the hell I want. And I just cross my fingers, that maybe some people will walk away feeling more…human…alive. I want to wake people up, and I want to tell them that it’s okay to feel.
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if you’re anywhere in the L.A. area on February 2nd, do yourself a favor and catch their show at the Paul Gleason Theater.
also! visit their Facebook page for an exclusive listen to ‘Cool for Chaos!’, the first single from their upcoming sophomore album.





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